Skip to content
Friday, October 16, 2026
ReelFocus UK

The streaming giant's Unexpected New Undead Film Injects New Life into a Overused Category

For the most part, I've had my fill of undead films. Although favorites such as 28 Days Later and the early seasons of The Walking Dead were gripping, this category feels mostly exhausted nowadays. Yet the highly anticipated 28 Years Later has been gathering dust in my watchlist for months. But, the platform's new Southeast Asian horror film, The Elixir, succeeded in subvert what I anticipated turning out remarkably entertaining.

Excellent Rhythm and Character Growth

Among this movie's strongest strengths lies in the superb rhythm. It kicks off using a striking initial scene where a peaceful family gathering is violently disrupted by a van plows right into the seating section. From the wreckage, an extremely undead-looking stranger stumbles out and begins attacking the attendees. This dramatic moment is then succeeded by a flashback, giving viewers to observe this household prior to the tragedy struck.

In contrast to many zombie films, The Elixir actually gives the audience enough opportunity to become acquainted with its main characters before the chaos begins. There's Nes, a wife and mother whose ex close friend, Karina, is now married to Nes' father—an obviously uncomfortable dynamic. Naturally, this has predictably led to a falling out between Nes and Karina. We also see Nes' brother, Bang, described as good-natured yet a bit inept socially, and who loves playing video games with Nes' young son, Raihan. Nes' husband, Rudi, seems to have recently been unfaithful to Nes. The family head is her dad, who runs a well-known herbal remedy company called Wani Waras, and he appears to care about only two aspects: his work and his marriage to Nes' ex-best friend. Needless to say, this family reunion is incredibly strained.

Invested in the Conflict

I became so engrossed with this family's dynamics along with their interpersonal drama that I nearly forgot this was a scary movie—which might sound like a negative, but ultimately worked well. The Elixir dedicates a considerable amount of the film depicting us the identity of every family member represents, and how they contribute to the general turmoil. This emphasis on clashing personalities allowed the audience to connect with the characters sufficiently to be concerned for their fate—an uncommon accomplishment for this style which frequently introduces individuals only to eliminate them shortly afterwards. The Elixir doesn't treat its characters as two-dimensional, disposable victims for an army of the undead to devour, so it's a genuine surprise once events eventually go wrong.

Reminiscent of Parasite

The initial sequences from the gathering and the multiple family interactions actually bring to mind the movie Parasite, a story which disguises itself like a K-Drama with slightly dark comedy prior to making a sudden turn into "holy shit" ground. These early scenes aren't centered as much on humor compared to Parasite, but The Elixir still provides enough time to immerse in its world prior to everything gets upended.

Unique Zombification Source

The film also offers a fairly intriguing reason for the source of the spreading zombification. Instead of a unintended lab leak or some sort of bioweapon, the source for this contagious disease originates in a recent batch from Wani Waras herbal remedies created by Nes' father. Although some background is provided a bit about how it started, I wish the movie devoted additional focus on how Wani Waras transitioned from a reputable purveyor of holistic medicine to producing a deadly potion that appears to contain an extremely infectious virus. Despite the lack of background, the impact this affliction produces on humans is utterly repulsive, which I appreciate. The Elixir's zombies prove quick, freaky-looking, and, perhaps worst of all, constantly grinning. This is a bold decision, yet it succeeds. The Elixir's practical effects and CGI are also quite realistic, and are practically certain to trigger a fear of holes.

Resourceful Personalities

More impressive than the gross-out moments are the characters themselves. Certainly, there are some examples of questionable decision-making (as in any good zombie movie), however generally, Nes and her family show themselves resourceful and quick-thinking. They also aren't afraid to kick a zombie in the face, pierce it using a farm tool, or hit it on the skull with the nearest blunt instrument is available rather than freezing like prey caught in lights as death nears.

Believable Familial Discord

The Elixir doesn't abandon its themes on family conflict once individuals begin transforming into zombies, this proved a welcome realistic subversion from that "We don't get along|"We have issues, but since you nearly died so I instantly forgive you for all your mistakes!" cliché frequently used in apocalyptic films. It's clear, Nes cares for her family and values her spouse, Rudi, but it's also apparent she remains clinging to resentment over his betrayal in their relationship. When the family gets separated, they agree over the phone to regroup at a close location. But when Bang admits he doesn't know the way to the location, Nes expresses a massive amount of frustration toward Bang which has obviously been brewing for years. Nes isn't perfect, and her relatives—flawed as it is—feel authentic and relatable since the movie avoids attempting to promote the notion that nearly dying instantly cures familial strife. This makes those instances where these individuals do show appreciation for each other seem far more sincere.

Stereotypical Conclusion

Despite The Elixir's strong efforts to innovate, the conclusion is admittedly a bit stereotypical. The Elixir doesn't truly offering up any deep insight about family or community, as well. Rather, it's mostly serving up frights. But they're effective frights, and since the film gives each character sufficient space to grow and avoids penalizing them for having flaws, the result proves an engaging and entertaining

By

Roger Davis

Elara is a seasoned media critic with over a decade of experience covering film festivals and industry developments across Europe.

ReelFocus UK

Type to search articles.